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Gallery Exhibitions

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Museum Exhibition

Mori Art Museum
Do Ho Suh + Po Po

July 25 – October 12, 2015

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Do Ho Suh

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Whitewall

Winter 2015

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Artforum

January 28, 2017

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The Art Newspaper

November 30, 2016

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Artnet News

March 12, 2015

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Artforum

February 2015

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Time Out New York

October 16, 2014

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designboom

October 5, 2014

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Art in America

October 2014

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Time Out New York

September 25, 2014

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Artnet

September 14, 2014

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Art21

February 19, 2014

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Baccarat

December 2013

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The Wall Street Journal

November 6, 2013

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Art Asia Pacific

Nov/Dec 2013

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Modern Painters (Asia Edition)

November 2013

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Ocula

November 2013

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Artinfo

May 8, 2013

News

Sculpture Magazine Personal Histories: Do Ho Suh

November 1, 2012

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Sculpture

November 2012

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The Los Angeles Times

June 16, 2012

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The San Diego Union-Tribune

June 1, 2012

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ABC News

May 31, 2012

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Art Asia Pacific

April 30, 2012

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Wall Street Journal

April 24, 2012

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April 4, 2012

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Harper's Bazaar

March 31, 2012

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The Korea Times

March 27, 2012

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Designboom

January 27, 2012

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MSNBC

November 16, 2011

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ARTnews

October 31, 2011

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Art in America

October 31, 2011

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Riviera

October 31, 2011

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San Diego City Beat

October 19, 2011

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The Seattle Times

October 13, 2011

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Seattle Met

October 11, 2011

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Flavorwire

October 9, 2011

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Surface

September 30, 2011

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Elle Decor

September 30, 2011

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Public Art

September 30, 2011

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September 30, 2011

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Huffington Post

September 30, 2011

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Frame Magazine

September 30, 2011

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Voice of San Diego

September 28, 2011

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New York Magazine Review

September 26, 2011

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Fast Co. Design

September 26, 2011

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New York Magazine

September 20, 2011

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Art in America

September 15, 2011

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Time Out New York

September 8, 2011

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Tate Modern

August 31, 2011

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Designboom

August 16, 2011

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Time Out Hong Kong

May 25, 2011

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W Magazine

October 31, 2010

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Art + Auction

October 31, 2010

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Artforum

May 13, 2010

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International Herald Tribune

March 30, 2010

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The Houston Chronicle Online

November 19, 2009

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Art in America

November 17, 2009

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Los Angeles Times Culture Monster Blog

June 28, 2009

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Los Angeles Times

June 24, 2009

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Los Angeles Times

June 21, 2009

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Artdaily.org

May 18, 2009

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Surface Design Journal Winter 2009, Volume 33, No. 2

December 31, 2008

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Icon Issue 065

October 31, 2008

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ArtAsiaPacific

June 30, 2008

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ArtInfo

June 30, 2008

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Artforum

May 31, 2008

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The Guardian U.K.

May 28, 2008

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Art in America

March 1, 2008

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NYTimes

November 29, 2007

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Vogue Living

November 1, 2007

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Artforum

November 1, 2007

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Artforum

February 1, 2007

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Designboom.com

January 18, 2007

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Sculpture

December 1, 2005

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Tema Celeste

September 1, 2004

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Architectural Record

September 1, 2004

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Washington Post

April 25, 2004

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Galleria Soledad Lorenzo Catalog Text

January 27, 2004

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Art in America

November 1, 2003

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Interni

October 1, 2003

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Tema Celeste

September 1, 2003

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Art Asia Pacific

September 1, 2003

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Time Out New York

July 3, 2003

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Artforum.com

July 2, 2003

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New York Sun

June 26, 2003

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Village Voice

June 23, 2003

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New York Times

June 13, 2003

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Art AsiaPacific

March 1, 2003

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Tema Celeste

July 1, 2002

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Artforum

January 1, 2002

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Sculpture

October 1, 2001

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Tema Celeste

January 1, 2001

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Art in America

November 1, 2000

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New York Times

September 29, 2000

Art + Auction


Beyond Bric: Where the Emerging Markets Are Now

Before the global financial crisis, the headline story was how dramatically both the profile and the value of works from Brazil, Russia, India, and China-the so-called BRIC countries-had risen. In fact, these can hardly be considered developing markets anymore, as witness Phillips de Pury’s creatively packaged sale this April dedicated to BRIC art (its first in the category), not to mention the record-breaking prices being paid for pieces by Chinese and Indian artists and the nice galleries opening in cities from New York to Sydney. So where are those collectors, dealers, and curators who gravitate toward the cutting edge looking now? There is a noticeable buzz surrounding four locations: Turkey, South Korea, Columbia, and Iran. All are experiencing remarkable bursts of creative energy accompanied by a surge in commercial interest both within and beyond their borders. In the pages that follow, we provide a snapshot of the vibrant cultural scene-including the artists, galleries, and patrons to watch-in each of these countries that seem poised to become the next big thing.

SOUTH KOREA IS ASIA'S new hotbed of contemporary art. The past few years have seen international biennials in Gwangju, Seoul, and Busan, as well as the establishment of a strong network of galleries, several of which including Ararioand Gana-have opened branches in New York. The country has also attracted worldwide curatorial attention. In 2009 new Korean work was the subject of surveys at the Los Angeles County Museum of Art and the Museum of Fine Arts, Houston, and at the Saatchi Gallery, in London the collectors David and Serenella Ciclitira launched Korean Eye, an annual group show of young Korean artists that in 2010 traveled to Singapore and Seoul. Meanwhile, a government-sponsored campaign to support Korean culture internationally has resulted in a regular presence at the Venice Biennale, among other major events. The Korean conglomerate Samsung is also playing a significant role. It's rumored that the company recently promised the Guggenheim Museum, in New York, millions of dollars to organize exhibitions by Korean and other Asian contemporary artists (see page 23).The market is responding: A younger generation of Korean artists is following in the tracks of top-selling predecessors who show with major New York dealers-Lee Ufan at the Pace Gallery, for instance, and Do Ho Suh and Lee Bul both at Lehmann Maupin. This past May, at Christie's Hong Kong, Choe U Ram-who has a solo exhibition at theAsia Society Museum, in New York, in June 20II-achieved $64,212 for one of his motorized metal