Artist
Gallery Exhibitions
Museum Exhibitions & Projects
Museum Exhibition
Mori Art Museum
Do Ho Suh + Po Po
July 25 – October 12, 2015
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Artist Bio
Do Ho Suh
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Whitewall
Winter 2015
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Artforum
January 28, 2017
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The Art Newspaper
November 30, 2016
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Artnet News
March 12, 2015
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Artforum
February 2015
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Time Out New York
October 16, 2014
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designboom
October 5, 2014
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Art in America
October 2014
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Time Out New York
September 25, 2014
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Artnet
September 14, 2014
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Art21
February 19, 2014
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Baccarat
December 2013
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The Wall Street Journal
November 6, 2013
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Art Asia Pacific
Nov/Dec 2013
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Modern Painters (Asia Edition)
November 2013
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Ocula
November 2013
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Artinfo
May 8, 2013
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News
Sculpture Magazine Personal Histories: Do Ho Suh
November 1, 2012
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Sculpture
November 2012
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The Los Angeles Times
June 16, 2012
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The San Diego Union-Tribune
June 1, 2012
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ABC News
May 31, 2012
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Art Asia Pacific
April 30, 2012
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Wall Street Journal
April 24, 2012
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Designboom
April 4, 2012
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Harper's Bazaar
March 31, 2012
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The Korea Times
March 27, 2012
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Designboom
January 27, 2012
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MSNBC
November 16, 2011
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ARTnews
October 31, 2011
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Art in America
October 31, 2011
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Riviera
October 31, 2011
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San Diego City Beat
October 19, 2011
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The Seattle Times
October 13, 2011
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Seattle Met
October 11, 2011
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Flavorwire
October 9, 2011
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Surface
September 30, 2011
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Elle Decor
September 30, 2011
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Public Art
September 30, 2011
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NY Arts
September 30, 2011
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Huffington Post
September 30, 2011
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Frame Magazine
September 30, 2011
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Voice of San Diego
September 28, 2011
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New York Magazine Review
September 26, 2011
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Fast Co. Design
September 26, 2011
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New York Magazine
September 20, 2011
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Art in America
September 15, 2011
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Time Out New York
September 8, 2011
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Tate Modern
August 31, 2011
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Designboom
August 16, 2011
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Time Out Hong Kong
May 25, 2011
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W Magazine
October 31, 2010
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Art + Auction
October 31, 2010
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Artforum
May 13, 2010
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International Herald Tribune
March 30, 2010
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The Houston Chronicle Online
November 19, 2009
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Art in America
November 17, 2009
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Los Angeles Times Culture Monster Blog
June 28, 2009
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Los Angeles Times
June 24, 2009
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Los Angeles Times
June 21, 2009
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Artdaily.org
May 18, 2009
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Surface Design Journal Winter 2009, Volume 33, No. 2
December 31, 2008
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Icon Issue 065
October 31, 2008
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ArtAsiaPacific
June 30, 2008
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ArtInfo
June 30, 2008
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Artforum
May 31, 2008
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The Guardian U.K.
May 28, 2008
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Art in America
March 1, 2008
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NYTimes
November 29, 2007
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Vogue Living
November 1, 2007
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Artforum
November 1, 2007
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Artforum
February 1, 2007
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Designboom.com
January 18, 2007
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Sculpture
December 1, 2005
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Tema Celeste
September 1, 2004
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Architectural Record
September 1, 2004
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Washington Post
April 25, 2004
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Galleria Soledad Lorenzo Catalog Text
January 27, 2004
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Art in America
November 1, 2003
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Interni
October 1, 2003
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Tema Celeste
September 1, 2003
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Art Asia Pacific
September 1, 2003
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Time Out New York
July 3, 2003
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Artforum.com
July 2, 2003
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New York Sun
June 26, 2003
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Village Voice
June 23, 2003
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New York Times
June 13, 2003
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Art AsiaPacific
March 1, 2003
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Tema Celeste
July 1, 2002
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Artforum
January 1, 2002
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Sculpture
October 1, 2001
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Tema Celeste
January 1, 2001
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Art in America
November 1, 2000
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New York Times
September 29, 2000
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Flavorwire
Flavorwire
October 9, 2011
Do Ho Suh’s Amazing Giant Doll’s House Installation Art
By Tom Hawking
In today’s ever more globalized world, the immigrant experience is a recurrent theme in art, but we doubt anyone’s ever represented it quite as dramatically as ex-pat Korean sculptor Do Ho Suh does in his new NYC exhibition Home Within Home, which is on at the moment at Lehmann Maupin Gallery in Chelsea. The centrepiece of the exhibition is Fallen Star 1/5, a huge and remarkably accurate scale model of an apartment block that’s been bisected and then swung apart on invisible hinges. The attention to detail is pretty amazing — it’s like a giant doll’s house, with bookshelves, sofas and at least one refrigerator all sliced right down the middle, with the two halves displayed on each side of the building. You can stand for ages marveling at the amount of effort this must have required. And then you walk around behind the building and find that a similar scale model of Suh’s childhood home in Korea seems to have parachuted in from the heavens and demolished most of the apartment block’s rear. The symbolism of cultural displacement is writ large, and heightened by the other piece in the exhibition, a ghostly hybrid of Suh’s old home and his new one, melded together and rendered in strange photosensitive resin.